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	See Archive: 4th Conference, 2003
Fifth International Conference (2005)
Adaptation
Arroyas, Frédérique (Guelph, Canada): “Literary Mediations of Baroque Music” Bernhart, Walter (Graz, Austria): “From Text to Icon: Heathcliff between Emily and Kate” Dayan, Peter (Edinburgh, UK): “Interart Contraband: What Passed Between García, Liszt and Sand in Le Contrebandier” Dougherty, William P. (DesMoines, IA, USA): “Lamenting Longing: Song as Transmutation” Halliwell, Michael (Sydney, Australia): “From Novel into Film into Opera: Multiple Transformations of Emily Brontë’s Wuthering Heights” Lagerroth, Ulla-Britta (Lund, Sweden): “Adaptations of Othello: Shakespeare’s Drama into Verdi´s Opera into Zeffirelli´s Operatic Film” Lodato, Suzanne M. (New York, NY, USA): “Richard Strauss, Idomeneo, and ‘Postmodernism’” Mosley, David L. (Louisville, KY, USA): “The Sounds of Saba: Musical Adaptations of the Biblical Texts for Epiphany” Prieto, Eric ( Santa Barbara, CA, USA): “Adaptation, Adaptiveness, and Schönberg's Moses und Aron” Urrows, David Francis (Hong Kong, China): “’Conscientious Translation’: Liszt and the Phenomenology of the Lied Transcription” Williams, Simon (Santa Barbara, CA, USA): “When Opera Is Not Enough: Berlioz’s Romeo et Juliette Symphony and the European Reception of Shakespeare”
Surveying the Field
Kramer, Lawrence (New York, NY, USA): “Whose Classical Music? Reflections on Film Adaptation” Samuels, Robert (Milton Keynes, UK): “Music, Supplement, Text” Wolf, Werner (Graz, Austria): “Description: a Common Potential of Words and Music?”
Forum
Dragu, Magdalena (Bucharest, Romania): “Arpièges by Romanian Dumitru Tsepeneag – a Case of Musicalized Fiction” Elicker, Martina (Graz, Austria): “From La Dame aux Camélias to La Traviata à Paris: A Comparative Analysis” Fishman, Andrea (Santa Barbara, CA, USA): “Lament 'Paramousos': Lament, Music, and Gender in Ancient Greek Tragedy and Modern Practice” Kuhn, Bernhard (Lewisburg, PA, USA): “Intermedial Transposition of an Opera Libretto and Implicit Intermedial References in the Spoken Opera Film Fedora (1942)” Longobardi, Ruth Sara (Richmond, VA, USA): “Producing Klinghoffer / Constructing Terrorism” Root, Gordon (Santa Barbara, CA, USA): “The Musical Language of Obsession in Schoenberg’s Traumleben, Op. 6” Seelig, Harry E. (Amherst, MA, USA): “Cyclic Implications in Hermann Reutter’s Sechs Gedichte: Radical Literary-Musical Surgery on Goethe’s West-östlicher Divan” Stenström, Johan (Lund, Sweden): “Bel Canto at the Californian Frontier: The Adaptation of Belasco’s play The Girl of the Golden West into Puccini’s Opera La Fanciulla del West” Thym, Jürgen (Rochester, NY, USA): “Discovering ‘Musical Impressionism’ by Way of Eichendorff and Schumann: Wolf and Pfitzner at the Threshold” Wallace, Robert (Santa Barbara, CA, USA): “Blues Canto: The Long Poem as an Improvisational Mode in the Poetry of Ezra Pound and Langston Hughes” Weagel, Deborah (Albuquerque, NM, USA): “Music, Words, Sounds, and Silence in Kieslowski’s The Dekalog: a Postmodern Adaptation of Ancient Laws”